Press

"...Yauch recites a druggy poem over musical backing reminiscent of the Doors" - Newsday, 1992

"...sounds like a smooth update of a Gil Scott-Heron track" - Boston Globe, 1992

"[This] surreal instrumental has a Brand New Heavies/Soul II Soul vibe that is very inviting" - The Source, 1992

"...an abstract poetic adventure [that] drowns itself in fuzzy bass licks" - Rolling Stone, 1992

"[Adam Yauch's] love vibe informs the entire album, culminating in the last song, Yauch's inspiring and inspired stream-of-consciousness rap that sounds like a cross between 'Riders of the Storm' and Robbie Robertson" - Spin, May 1992